LISA ROTHE
 

Lisa is a director and is also on the staff of the Lark Play Development Center as the Director of Offsite Programs and Partnerships, where she deals with providing expanded opportunities for playwrights “off campus” and strategic multi-lateral partnerships aimed at advancing new work to production nationally and globally. She has workshopped, developed, and directed many new plays. Future: Just Like I Pictured It (community based theatre piece with the Foundry Theatre and N.I.C.E.); Workshop of Bethany by Laura Marks (Naked Angels); Studio Retreat of 100 Planes by Lila Rose Kaplan (Lark); workshop of Nectar by Katie Baldwin Eng (New Georges); workshop of Ada, a new chamber opera by Kim Sherman and Margaret Vandenburg (First Light Festival @ EST). Recent credits: Eyepiece by Rinde Eckert (Hancher, U of Iowa); My Ohio by Dana Yeaton and Andy Mitton (Vermont Stage Company); Interpreting William by James Still (Indiana Repertory); Looking for the Pony by Andrea Lepcio (Synchronicity Performance Group @ Seven Stages in Atlanta); Penelope by Ellen McLaughlin and composer Sarah Kirkland Snider (Getty Villa); Ah, Wilderness! (Chautauqua Theatre); Couldn’t Say by Christopher Wall (MITF – Best Director Award); many productions at NYU Graduate Acting, Juilliard, and Yale School of Drama, as well as workshops with the Belarus Free Theatre, New York Theatre Workshop, and productions for NYMF and SPF.  Most recently, Lisa received an EST/Sloan Foundation grant with composer Kim Sherman and librettist Margaret Vandenburg for work on Ada, a new chamber opera. Women’s Project Director’s Lab alum; Drama League alum; Fox Fellow. MFA: NYU Graduate Acting.
 

Detention